Cloud Atlas

Although Cloud Atlas polarised the critics, I’m going to say simply that I thought it an astonishing, moving and utterly unforgettable film. I watched it twice, in somewhat quick succession, and the second viewing was even better than the first. Don’t get me wrong, the six interweaving tales of how reincarnated souls move through the centuries and find redemption is not necessarily an easy watch – you have to pay pretty close attention to what’s going on, the tonal shifts between the episodes can be jarring, and the racial, tribal and gender-hopping is somewhat off-putting. But it somehow rises above the limitations of its assorted chaotic parts to become one of the most memorable film experiences that I can remember.

Cloud

The soundtrack in particular is literally gobsmacking – I’ll be buying that – and I thought Ben Whishaw’s turn as the amoral 30’s composer was stand-out. Locations wise, the island scenes were shot on Majorca in the Balearics – in the World Heritage site of the Serra de Tramuntana mountains, at Sa Calobra and near Formentor. Another quirk: the San Francisco scenes shot in Glasgow. Oh indeed, everything IS connected.

Evil Under the Sun

And while we’re still on the oldies, we’ve also been working our way through an Agatha Christie box set, which has been rather marvellous. Although I’ve never quite seen the glamour factor of the tween-War years (wet wool, no deodorant, the rise of fascism, hanging) the movies are all great little period pieces, all cocktails and devils-on-horseback and changing for dinner and the kinds of slappable, plummy public school accents that give me nightmares of childhood.

Evil Under the Sun, I think, is one of the better ones. Filmed in 1982, it’s got all the best Agatha elements; the secluded setting, the all-star cast of conniving, bitter upper class twits, the Object of Disaffection (in this case an oddly masculine Diana Rigg) and the various reasons each of the toffs hate her overheard by the oily Belgian Hercule Poirot (Peter Ustinov, surely the gold standard in Poirotism?) Some snappy dialogue, some seething resentments, the beach: lovely.

The book was (rather hopefully for a storyline that involved sunbathing) set in Devon, but the film relocated to the fictional Mediterranean country of Tyrania. In reality, the Spanish island of Majorca and its uninhabited satellite Sa Dragonera, were used for the external stuff. The most detailed info is actually on Wikipedia. In case you may want to visit, Daphne’s Cove and Hotel, at the time a private estate owned by a German, has since been bought by the Majorca Council and demolished to its foundations.